Compared to the black attire of full mourning, half-mourning dress was more embellished, incorporating white and gray textiles and decoration. Even though prolonged periods of court mourning significantly undermined the production and sale of colored textiles and jewelry, dressmakers and merchants found ways to innovate, especially during half mourning, when restrictions were relaxed and greater variety was allowed.
Designed by Pierre-Thomas Le Clerc (French, Paris 1740–1796), engraved by Etienne Claude Voysard (French, Paris 1746–1812), Gallerie des modes et costumes français. 37e. Cahier des Costumes Français. 29e. Suite d'Habillemens à la mode en 1781. NN.215, ca. 1781.
Text from: Ruffles & Ribbons: Fashion Plates from the Time of Marie Antoinette. © 2026 The Frick Collection.